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Showing posts from September, 2025

IN EVERY LIFETIME, I'LL FIND YOU

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  A lifetime feels too brief, too thin to hold all that I feel. Rings and vows; these words we say, they barely brush what’s real. I don’t know about destiny, or if we’re meant to last. But in every lifetime, I hope we cross paths. I want to be the quiet autumn, where you drift to me like a falling leaf. I’ll stay like shadows on quiet roads, hidden in places only you know. If I could, I’d be your armor, soft but strong around your heart, and you’d be the shield that I hold, the guard who keeps us safe in the dark. And though the world may call it fate or claim we’re bound by some line, I don’t believe in being owned, only in finding, every time. So if in this life I’m not the one, let the next one bring us near. In every life, I’ll look for you, hoping you’ll find me here. - A. Swan

ABOUT TIME

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 Love, Family, and the Passage of Time It was the beginning of 2024 when I first watched About Time (2013), Richard Curtis’s tender film about time travel, love, and family. Back then, I thought it was just a love story sprinkled with time travel; a sweet, endearing romance between Tim and Mary, filled with heartwarming moments and lines that nestled into my memory. "I love your eyes, and I love the rest of your face too." Simple, yet somehow unforgettable. I smiled at their love, at the charm of it all, believing that was the essence of the film. First Impressions of About Time When I first saw it, About Time felt like a gentle romantic comedy. A quirky time travel twist gave it flavor, but at its heart, I thought it was a love story where Tim finding Mary, falling for her, and cherishing her. Re-watching About Time  A Year Later A decade later, I watched it again. I mean, TODAY. And this time, everything shifted. The romance, once the centerpiece, now felt almost seconda...

VIRGINIA WOOLF: THE WOMAN WHO WALKED INTO RIVERS AND LITERATURE

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Virginia Woolf was not for the people who have a weak of heart.  She was a writer who made language bend and bleed until it revealed the truth of her own misery and the ones similar to her; she was a genius but like a wall of a house with cracked walls.  If you think she's just another dusty modernist author, you're mistaken. Her name is likely familiar to you from Mrs. Dalloway, A Room of One's Own, or that notorious suicide note. Literature has yet to find a way to bury Woolf's ghost. So, let's chat about her a little so that we get to know her ghost. Childhood: Trauma Was the Family Heirloom Virginia Woolf (born Adeline Virginia Stephen in 1882) did not exactly win the lottery of happy childhoods. Virginia lost her father a few years later, her half-sister shortly after, and her mother when she was thirteen. Imagine attempting to restore your sanity while grief is sent to you seasonally like an undesired subscription box. It was referred to as tragedy in Victoria...

TO BE OR NOT TO BE

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To be or not to be, that is the question. Okay, fine, I’ll admit this time. Yes, I don’t know. I don’t know everything yet I know something. To be or not to be, that is the question. I don’t know what I have to be. What I will be. And what I should be. Whatever I’m becoming, should I be that or not. Whatever I’m doing, should I do that or not. And this dilemma is solely not mine. It’s with almost all of us. Okay, fine, maybe a few of us. Sometimes I wonder how interesting experiences and humans can be, that no sole experience or narration belongs to only one person in the world. Uniquely. In fact, you’ll find many who have sacrificed their comfort to give freedom to those who needed. You’ll find many who have lost their dear ones. You’ll find many who remain unchanged even after a heartbreak. What I’m trying to say is, from the world on a tiptoe to a house succumbed in comfort, no narration is unique. Are we all similar? I think so. I don’t know about you. I see people and I see storie...

WHAT IS TRUTH? THE FRAGILE ILLUSION OF MORALITY, GOOD, AND EVIL

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If morality is shaped by power, does that mean justice is merely a construct of those in control? We have different truths. What you consider a lie might be the only thing that has ever kept me alive, and what I consider to be true might be a lie to you. The world is not as it is; rather, it is as we have experienced it. All of our beliefs are a patchwork of our experiences, pieced together by memory, reshaped by time, and warped by necessity. Subjective or objective, truth is never straightforward. If it exists at all, it is merely a flimsy delusion that we hold onto, persuading ourselves that what we perceive is true and that our emotions are warranted. However, truth is not an independent entity; it is burdened by consequences and the ruthless indifference of reality. Is a father a criminal or someone in need if he steals to feed his hungry child? When a soldier kills for his country, is he a murderer or a hero? A liar who saves—a liar or a savior? This is how human behav...

THE SWAN

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You know that feeling when you’re just… there, watching life go on around you? Everyone else seems to be moving, loving, belonging, while you’re standing still, holding everything inside. That’s what this poem is. It’s me saying what most of us don’t say out loud that sometimes love is silent, unseen, and it hurts in a way you can’t even name. It’s about those nights you cry and nobody notices, the pages you turn looking for some sign of yourself, the pieces of you you leave behind hoping someone will find them. This isn’t some perfect Shakespeare kind of love; it’s messy, brackish, raw. But it’s real. And if you’ve ever loved someone quietly, or felt invisible in your own story, or carried a grief you couldn’t explain, then this is your lake too. This is your Swan. I may not be the Shakespeare of this time, Maybe not even Jane Austen in the newness of this shifting rhyme, But I am the Swan of this vast, endless lake The lake where I watch other swans entwined, Their wings brushing, th...

1984 BY GEORGE ORWELL: A REFLECTION ON OUR MODERN WORLD

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 "Until they become conscious, they will never rebel." Sometimes I wonder—did Orwell write 1984 as a warning, or as a prophecy we’re already living? When I first opened the book, I was dragged into an unreal world that was so rigid and carefully planned. However, as I read, I couldn't help but notice it everywhere: in headlines that hardly shock anymore, on our screens, and in carefully curated social feeds. A Society Where Truth Is What They Say Every action, every thought, and every whisper is monitored in Orwell's world. Whatever they say isn't necessarily the truth. Love is brittle. Rebellion is a shadow. It is a crime to hope. After that, I consider today. Constant surveillance is real now; algorithms determine what we see, people are under pressure to project a flawless online persona, and opinions are subtly censored. Do these not resemble Big Brother in 2025? The Mirror That Haunts It's like looking into a distorted mirror when you read 1984....

DEAD POETS SOCIETY

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"Oh Captain! My Captain!" Dead Poets Society: A Film That Still Breathes Inside Me Nowadays, everyone is worn out. Where silence is more oppressive than noise, where we scroll endlessly, and where expectations weigh us down until we are unable to distinguish whether our dreams are ours or someone else's. Then there's a movie like Dead Poets Society. Yes, it is old. Not out-of-date, though. Because it appeals to that unfiltered, hurting side of ourselves that we don't even show our friends—the side that silently wonders, "Is this all there is?" When Robin Williams, as John Keating, walks into that classroom, I don’t see just a teacher. I see a man holding a lantern in a dark corridor, saying, “Look, there’s another way to live.” And that hits different today because more than ever, we’re told to measure our worth in grades, in jobs, in productivity, in how busy we look. And yet here’s this voice saying: No. Poetry, love, passion, words—these are wha...

THE HEMINGWAY CODE: WRITING, WAR, AND WHAT IT MEANS TO LIVE BOLDLY

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Ernest Hemingway changed American literature; he was more than just a writer. He taught the world that true courage is in facing adversity with dignity. He is well-known for his daring life, minimalist writing, and the well-known "Hemingway Code." This article examines how Hemingway's ideas on writing, conflict, and resiliency continue to motivate readers today. Ernest Hemingway was one of the few writers who lived out his philosophy with ferocity. In addition to his unique writing style, reading him entails discovering a code of conduct that required bravery, tenacity, and an unwavering face-to-face confrontation with the most difficult aspects of life. Hemingway lived in a harsh world. It was characterized by disillusionment, loss, and war. However, he established a philosophy that has become known as the Hemingway Code: to live fearlessly despite adversity, to meet hardship with dignity, and to face danger with grace. A Life Shaped by War and Restlessness He was b...

A LETTER TO KAFKA

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"Look around, Ted. You're all al one." Dear Franz, If you were here, I would have made you watch this show called “How I Met Your Mother”, especially the moment when Ted realizes that he’s all alone, and it’s pointless to chase destiny (not the stripper...well, in German, a stripper is called “Burlesk-Tänzerin.” Not exactly this, but it’s a close reference). You would have understood, I know. You would have known me then, if you had seen me crying over it for hours. I would have told you that every night I’m in awe when I look at the moon and wonder how beautiful it looks in all its phases. I would have also shown my concern for the neglected side of all these phases. And probably, you would say, “A moon is a moon, and it’s beautiful no matter what phase it’s in and so are you. Even the neglected parts of you.” Then I would have felt seen, heard, and understood. And yet, sometimes I wish you were here, standing beside me, watching me fall apart. I would have shown you the...

THE BLURRED SELF

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When the World Is Clear and I Am Not I am the closest in this picture. Right there, near the lens. The camera should have found me. It should have caught me clear. But it didn’t. I’m blurred. My face, my edges, all of me… softened into nothing. And yet everything else—the walls, the path, the lights, everything stands sharp. Still. Almost arrogant in its clarity. It stings to look at it. Because it isn’t just a photograph. It is a reminder of something I’ve been living. I keep giving myself away. Piece by piece. In caring. In listening. In carrying others so they don’t fall. And while I was busy holding everyone else in focus, I let go of myself. I faded. You don’t notice it when it begins. That’s the cruel part. It starts small like choosing silence instead of speaking, choosing someone else’s comfort over your own. You tell yourself it’s nothing. You tell yourself it’s love. And you keep doing it. Over and over. Until one day, you stop recognizing yourself. Until one day, you look in...